Tag Archives: famous writers

When Do You Write?

Waiting... Thinking.... Am I inspired yet? Photo credit: Pixabay PPPSDavid

Waiting… Thinking…. Am I inspired yet? Photo credit: Pixabay PPPSDavid

I work with writers, and I also write creatively myself. So the questions come up frequently:

  • When do you write?
  • What circumstances need to be in place?
  • Do you make yourself write even when you don’t feel like it?
  • How do you set aside time to write?

You know those questions.

Then the other day, one of the writers in my writer group, BACCA, asked us these questions:

  • Do you have a regular writing schedule?
  • A writing ritual or rituals?
  • Conditions that you know help or hinder your writing?

On that very day, I had blown off a writing deadline of my own. The day before, I discovered that an author client had made an unannounced change in plan, leaving the entire book production team delayed by a week or more. So perhaps the pump was already primed. Anyway, at that moment, I realized what I wanted to write about for my blog. I’ll speak for myself, not my clients, friends, colleagues, or famous writers in history.

Iter-iter-iter-ations

I believe that I can write something more or less okay, most of the time. Even when the stars aren’t aligned, I can probably crank out some sentences. I also believe that, for those sentences to have a chance at singing — and I love sentences that sing — they’ll need more love, later. For me, writing is an iterative process. So is editing. People who can slam out an adroitly worded, deftly built essay in one burst — well, I don’t know anyone who can, so maybe I needn’t complete that thought. Students of literary history can share stories about the derring-do of famous writers in years past who knocked out perfect work with one quill pen tied behind their back.

Motivation is for amateurs.

–Chuck Close, quoted in Seth Godin’s What to Do When It’s Your Turn (2015).

Like the painter Chuck Close, quoted above, I don’t wait for inspiration. That’s a passive stance that doesn’t serve me. Inspiration is wonderful, of course. I take advantage of it at every opportunity. That’s why we have things like notebooks, Evernote, and smartphones that record our voices. Dropping off to sleep recently, I received some amazing lines, and ideas, for my writing. Half-awake, I knew enough to scrawl them onto the paper I keep at the bedside, for later transcription. Those notes informed my latest draft of a fiction piece I’m nursing along.

Although I’m not one of the butt-in-chair-at-five-in-the-morning types, I believe in writing something, anything, in order to have a draft. The draft is my friend. Once I have a draft, I have possibilities.

Is it better yet? Can I hear it sing? Photo credit: StockSnap

I can mark it up, massage it, stare at it, laugh ruefully at it, stomp away from it, reconsider it, ridicule it, sigh at it, cross it out, write in “stet” next to the cross-out, walk away and prepare a beverage / snack / meal / dessert, return and reconsider it (again), remember an important errand that must be run at once, and eventually, I can make it better. It may take a few more iterations, some more streamlined than that last one, and I’ll probably wind up with a piece of work that’s at least presentable.

I exaggerate for effect. Mostly.

Important, not Urgent

For me the biggest hurdle to clear involves setting aside time for writing, when other demands on my time feel compelling. Years ago, a friend told me he was striving to honor those to-do items that were important, not urgent. Ever since, that has been a goal of mine as well. I have yet to meet it on a regular basis. It’s too easy to respond to the urgencies of everyday work and life. Someone needs attention, a project has a deadline, a team effort may not happen if you don’t step up, the phone keeps ringing…. I imagine being sufficiently evolved as a creative, centered person to honor, without a struggle, the important and not urgent items.

Until that time, I’ll muddle through. I’ll rely on drafts, and the bits of time I carve out for the iterative process.

— A M Carley writes fiction and nonfiction, and is a founding member of BACCA Literary. Her company, Chenille Books, provides creative coaching and manuscript development services to authors. Anne’s nonfiction book, FLOAT • Becoming Unstuck for Writers, is available for purchase at Central Virginia booksellers and on Amazon. Her new companion publication, FLOAT Cards for Writers, launches on Saturday, 18 November at the Charlottesville Book Fair in downtown Charlottesville. #becomingunstuck 

 

Jane Austen’s Desk

This is Jane Austen’s desk

small wooden octagonal desk and caned-seat chair by window

Jane Austen’s Desk

From 1809 to 1817, while working here, Jane Austen revised her first three novels — Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) — and wrote three more — Emma (1815),  Northanger Abbey (1818), and Persuasion (1818). A seventh, Sanditon, was unfinished at her death in 1817. She was 41. Her mother and sister stayed in the house until Cassandra’s death in 1845.

Jane Austen’s Desk Haunts Me

Let me count the ways:

  • It’s tiny.
  • It’s shiny.
  • It has twelve sides.
  • A quill pen is involved.
  • As if a quill pen isn’t enough to trip you up, in those days you probably weren’t even allowed to write with your left hand. With that quill pen.
  • There’s no drawer. And yet, paradoxically, the area is tidy.
  • I’d last ten minutes – fifteen max – in that chair.

Ideal Writing Conditions

When I advise my book-coaching clients how to approach their writing tasks with more ease and comfort, I have never once suggested they write at a tiny, shiny, twelve-sided desk with a quill pen.

And when I sit down to work on an article or a piece of fiction, I greatly prefer an upholstered seating device. Also, it’s nice to put my feet up and to use my laptop, you know, on my lap. That way, my left hand doesn’t smear the ink all over the page. (And hey, thanks, Fifth-Grade Teacher Who Shall Remain Nameless, for that permanent trauma.)

Actually, it’s the photo of Jane Austen’s desk that haunts me. I’ve never visited the museum in the Hampshire countryside Southwest of London.

Map showing Chawton, England.

Jane Austen’s House is between Southampton and London

Something tells me that if and when I do stop in for a visit (ideally on her birthday, 16 December, when the museum offers free admission, tea, coffee, and mince pies) I’ll want to stand as close to this desk as the plexiglass partition permits, to soak up the vibe. I’ll want to look out that window, imagining what the author saw as she sat there at her tiny, shiny, twelve-sided desk.

Extra: For Young Writers in the UK

By the way, entries for the Jane Austen’s House Museum Young Writers’ Competition are now open. The contest is for young people living in the UK aged 11-17. You can enter short poems or short stories, on the topic “An Interesting Remembrance.” The rules do not specify where you should sit, or what writing implements you must use. Deadline: 31 December 2014.

My Office Is a Mess

No, really.

I could tell you why, but it’s a long and boring explanation.

I’d much rather report that it is no longer a mess. Coming soon….

And meanwhile, here are views of work spaces where some famous writers and painters have worked over the centuries. Jane Austen leaves everyone in the dust. Not for the first time.

— AM Carley